![]() ![]() ![]() Franco goes full Daniel-Day-Lewis to become Wiseau, who latched onto his young, acting classmate Greg Sestero (Dave Franco) and drove them both to the hell of inert, overproduced, melodrama-making. Why it’s great: There are no half-measures with Tommy Wiseau, the failed actor/secret millionaire behind the notoriously awful cult drama The Room, and there are no half-measures in The Disaster Artist, James Franco's dramatic telling of the film's bizarre backstory. You’ll know you’ve watched it enough times when you can have an entire conversation just using Lebowski quotes.Cast: James Franco, Dave Franco, Seth Rogen, Alison Brie Aside from the bizarre characters and the labyrinth of red herrings, one of the best things about this comedy is how it demands multiple viewings to fully appreciate it. From there, the plot twists and coils in on itself like a riled-up rattlesnake. Against orders, The Dude enlists the help of his bowling buddies, rageaholic Walter and dimwitted Donny. But the Big Lebowski has a different mission for The Dude - to find his missing trophy wife, Bunny. When they realize their error, one of them takes a contemptuous piss on The Dude’s rug, sending The Dude on a mission to get a replacement from the rich guy they mistook him for. ![]() You know, a lot of ins, a lot of outs, a lot of what-have-yous.” Loosely based on the detective novels of Raymond Chandler, this Coen brothers comedy follows consummate slacker Jeffrey “The Dude” Lebowski, who is rudely interrupted mid-toke by a pair of thugs who have mistaken him for a wealthy philanthropist with the same last name. ![]() And don’t get us started on the musical performances from Aretha Franklin, Ray Charles, James Brown, and Cab Calloway, with Jake and Elwood grooving hard in the background. As if that weren’t enough, The Blues Brothers is a roll call of celebrities from the late 1970s, with each cameo player clearly relishing their chance to get a piece of the action. At its core, this movie is about Jake and Elwood’s quest to get their band back together, but each sequence features its own mixture of goofball physical comedy and subtle-as-a-razor’s-edge delivery. Pair him with Aykroyd’s Elwood Blues, and you have cinematic and comedic gold. As retired musician Jake Blues, Belushi says more with an eyebrow in this movie than most actors can muster in three acts. … Hit it.” This movie showcases Saturday Night Live founding legends John Belushi and Dan Aykroyd in their comedic prime. “106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it’s dark, and we’re wearing sunglasses. As amazing as the Marx Brothers are in this film, their zany antics wouldn’t be half so hilarious without their straight woman, Margaret Dumont, who finds a hundred different ways to look aghast as the brothers run circles around her hand-wringing image of propriety. The plot isn’t so much the point in this movie as the frenetic pacing that moves the brothers from one gut-busting situation to another. All of them end up on a steamer ship sailing from Italy to New York, where hijinks ensue. Driftwood, the squirrelly business manager for a wealthy opera investor, while brothers Chico and Harpo Marx play the bumbling sidekicks of a humble background singer who is on the other side of a love triangle with a famous tenor. A Night at the Opera is their very best, thick with rapid-fire wordplay, ingenious insults, and racy innuendo that they only got away with because there were no real rules in Hollywood yet. The Marx Brothers, a real-life family that rose to fame as a vaudeville troupe, took Hollywood by storm with a series of raucous comedy movies. That’s the price she has to pay.” Let’s kick things off with a classic, featuring three undisputed icons of comedy. “When I invite a woman to dinner I expect her to look at my face. ![]()
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